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Mastering


We approach our mastering work in much the same way as our recording: the focus is on maintaining resolution, realism and overall sonic integrity.


Mastering can be seen as the final stage in the creation of commercial audio. It involves various processes to polish the programme material and is the final quality control check before your work is sent for duplication.


Many recording studios offer mastering as a service but very few have either the tools or expertise required to turn your recording into a commercially viable product. For small CD runs for selling to friends then these facilities will be fine. But if you are striving for bigger things, like radio play and record label interest, then you need to do things properly.


As well as the tools and expertise, we offer the often-invaluable ‘objective opinion.’


This is where the monitoring chain and room are vital components to effectively working on material at this level. Our room is based around 3-way PMC mastering grade monitors, Mark Levinson amplification and Lavry Digital to Analogue conversion. The room is acoustically treated and ultra quiet. This enables us to hear everything within the programme material and will help inform us as to how the material will translate from playback systems as diverse as car stereos to hi-end hi-fi.


Our room is also available for ‘dry hire’ on request.


A few processes that mastering involves: overall assembly, level balance, limiting and compression (if applicable), timings and fades, de-noise and de-essing (if required), equalisation, filtering and dithering.


We then create the Red Book Audio CD for the duplication house. This involves the adding of ISRC codes and CD-Text (if applicable), track cues and the all-important error checking of the final master for duplication.


It is also sometimes possible to salvage poorly recorded or mixed material at the mastering stage. For example, vocals can be brought forward in an unbalanced mix, hiss can be removed from an analogue transfer and body can be added to a ‘thin’ sounding recording.


Please contact us for a quote or to request examples of our work.

We use Brauner, Coles, Schoeps and Neumann microphones.